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Top of the Pops 1000

Smash Hits press on the band's appearance on Top of the Pops (18 April 1983)

Interview

A colorful magazine page with text that is transcribed below under main article. Within this there is a photo of the 6-member band. George, Nick, Jon, Stevie and Peter all stand outside in between gates of a bridge, all smiling. Jo kneels in the middle of them, scowling.

Photo captions

A photo of a list of band names set to appear on Top of the Pops. A caption is under it which is transcribed below as 2.
A photo of Roger Fenna talking to a producer. Behind him there is a stage where Nick, Jon, Stevie and Peter can be seen standing. Its caption is transcribed below,
Two photos of a Top of the Pops stage. In the first, Nick, Jon, George and Stevie are seen standing on it rehearsing. The second is a different angle of the stage mostly blocked by a camera stand, but Nick and Jon are still visible. Captions are transcribed below.
The same stage as above but at a closer angle. This time Nick, Jon, Jo, Stevie and Peter are seen, as view of George is blocked by a camera. Caption is transcribed below

Via Kissing the Pink (Facebook, just the interview), Brian McCloskey (TOTP 1, TOTP 2, TOTP 3, interview), Michael Kane (TOTP 1, TOTP 2, TOTP 3, interview, full), The Internet Archive (TOTP spread 1, TOTP spread 2, interview) and World Radio History (pdf).


Transcript

Main article

They've had a hit single. They're never off the radio. They've even got Duran Duran's old producer. And yet one of them still insists on wearing a tartan apron and a false moustache. We sent Mark Steels to have a quiet word with him.

"Well, my biggest influence was, without doubt, Jimmy Osmond," says John Kingsley-Hall. "Especially that song of his which went 'Milly Molly Mandy, sweet as sugar candy'. Absolutely brilliant!"

John Kingsley-Hall is the keyboard player and resident "loon" of chart newcomers Kissing The Pink. No glamour togs and pop niceness for our John. Sitting in the dressing room prior to their first-ever TOTP appearance, he is putting the finishing touches to quite easily the daftest get-up this side of Twisted Sister — creased Oxfam jacket, green tartan apron-skirt over rolled-up trews, non-matching socks and Doc Martens. The nightmare vision is completed by a few tubes of icky stuff on the spiky locks and a drawn-on moustache.

Why does he do it?

"I dunno", comes the curt reply. Having been forced to wait around for nearly four hours to get to talk to him I'm starting to think that maybe John doesn't take the media's response to the group's first hit single — "The Last Film" — at all seriously. George Stewart, the group's percussionist, offers that it's to "cover up the fact that John has just got an incredibly huge bum" and everyone falls about laughing. Eventually vocalist Nick Whitecross and saxophonist Jo Wells inject a much-needed shot of sanity into the proceedings.

"We've got no pretensions at all about what we do" claims Nick, "and I suppose the way John looks today is a reaction against being squeezed into a particular image. I find it really annoying that the public are continually being served the same things — at the moment everyone's got to look pretty and glamorous and we just don't want to get caught in the trap of being regarded as another trendy pop group."

Visual aspects aside, however, "The Last Film" makes a poignant anti-war statement.

"I'm not sure whether pop is the right medium for heavy statements," Nick admits. "Most of what we do is just a reflection of what we see all around us. 'The Last Film is just about a soldier sat in a tent watching one of those 40s or '50s Hollywood war films just before he's about to go out and fight for real. It's not controversial... war is horrible and unglamorous."

Kissing The Pink's first album, "Naked", is due to be released soon and this will be supported by a tour about which Jo Wells is very excited.

"Touring really gives us our greatest pleasure," she enthuses. "Playing live and getting that immediate feedback from an audience is what makes everything worthwhile. I mean a couple of weeks ago we did a show at the Camden Palace and we were forced to mime — it was truly horrible, bad for us and consequently bad for the audience."

"Obviously the single's success is going to help us," Nick chips in, "but I hope people don't judge what we are about on the basis of just one record. I think when people hear 'Naked' they will be pleasantly surprised to hear an album with so much variety on it... anyone expecting to hear 12 re-hashes of 'The Last Film' are going to be disappointed. At the same time I hope that they will be able to react emotionally to some of the other tracks in the same way they might to 'The Last Film'. You can touch people through songs - even pop songs - but it's far more important to get them to realise just why they are feeling what they are feeling, to have a sympathy with someone else's predicament."

Whether Kissing The Pink — whose extraordinary name, incidentally, is a snooker term — manage to bludgeon their way into the hearts of the nation without all the seemingly necessary trappings of the pop world remains to be seen. Their album is produced by Duran Duran maestro, Colin Thurston, and their intentions and beliefs are quite refreshing.

Nevertheless, I have a nagging feeling that John's appalling dress sense and self-conscious buffoonery might not work against those goals they are trying to achieve. Nick might well say "it's important that in being serious about what we're doing we don't lose our sense of humour" but are green tartan skirts really that funny?

"Listen", quips John, "we're just a good pop group and I just want to be a pop star. And who was the greatest pop star of all time? Gary Glitter! He wasn't stylish either..."

Photo captions

  1. And here's his list. Tracey Ullman is down but won't be able to appear.
  2. Chief Cameraman Roger Fenna discusses camera angles for Kissing The Pink's appearance.
  3. Kissing The Pink prepare to run through "The Last Film" for the first time. This is their first Top Of The Pops appearance so they're a little bit nervous.
  4. Roger Fenna surveys KTP. There are only 30 minutes per group to work out angles.
  5. Kissing the Pink rehearse "The Last Film" for the last time. During this dress rehearsal, the whole show is performed without any stops. Well, that's the theory.

Notes

In the magazine, the photo captions are before the article, but it looks nicer this way.

I tried displaying all the photo captions on one line but it just didn't look good no matter what I did. Maybe next time.